![]() They turn their gaze toward the problem of illegal immigration, a serious, relevant and politically volatile talking point in France. However, the directors more thoroughly explore their thesis with Samba. When the police finally catch up with him, Alice (Charlotte Gainsbourg), who is temporarily working as an immigration officer, stumbles into his life.Īt first, this seems to smack of The Intouchables: two very different people whose paths become inextricably tied to one another. Samba Cissé (Sy) is a Senegalese man who has been living in France illegally for 10 years. After dealing with Phillipe’s handicap in The Intouchables, here they decide to address the issue of immigration. I get the feeling that Toledano and Nakache enjoy talking about sensitive topics in their movies. ![]() He’s working alongside Charlotte Gainsbourg, previously known for her collaboration with the controversial Danish director, Lars von Trier (she has appeared in Antichrist, Melancholia and Nymphomaniac Vols. ![]() For the fourth time, the pair has teamed up with Omar Sy, who won the César for the best actor in 2012 for The Intouchables and returns in Samba as the titular character. Three years after The Intouchables, Toledano and Nakache are back to either confirm their talent to the world or disappoint millions of expectant fans. It sold more than 19.4 million tickets in France (the third largest of the history of the French box office) and 32 millions tickets outside of the country. The movie went on to earn a total international gross of ~$400M – not bad for something that only cost ~$10M to make. In fact, The Intouchables is recognized as the biggest commercial success worldwide for a French-speaking film. They’re now easily the most famous and successful writer/director duo in France. While they found national success in the early 2000s ( Those Happy Days, So Close), it was in 2011 that they became internationally renowned for their last movie, The Intouchables. As America has the Coen brothers, France has Eric Toledano and Olivier Nakache.
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